Stuart Gordon’s Dolls is classified as one of my specific triggering films from when I was a wee Manster. Watching it today shines new light on the bad acting from most parties involved but in turn gives me ‘Nam flashbacks to hiding under the covers in terror. The dolls are still extremely creepy today and the archaic stop-motion shots add a dated, unsettling lens to top it all off.
Satanic Panic initially had me believing it and We Summon the Darkness were one and the same. I must have heard about the latter being in production and then saw the former’s poster because it looked like Alexandra Daddario on it, but is in fact newcomer Hayley Griffith. Satanic Panic opens up with an innocent enough but low-tier atmosphere. However, after getting over the initial hump, this flick picks up the pace.
Last year I ended the MASSACRE MARATHON with a BANG! I reviewed the first three films in the Saw franchise for the grand finale. I got an itch to continue on with the series, so this year I watched Saw IV. This is the first one that doesn’t feature James Wan or Leigh Whannell in any capacity while Darren Lynn Bousman (Repo! The Genetic Opera, Tales of Halloween) returns to direct for his third and final time. Continue reading
If you haven’t read the previous review, you might not understand what I’m talking about in this one! Click the link at the top!
Saw II continues the legacy of the “Jigsaw” killer, but this time instead of a single room entrapping two guys, there is a whole house full of victims. As the setting expands so does the story. A new cop is introduced, played by Donnie Wahlburg (Blue Bloods), who finally catches up to Jigsaw but also learns his son is involved in the deviant’s newest trap. A race begins to interrogate Jigsaw before the cop’s son ends up dead.