DIGGING UP THE MARROW ft. Prom Night + Grabbers

Digging Up the Marrow is a passion piece created by indie horror director Adam Green (Hatchet, Holliston) and Alex Pardee, an artist known mostly for designing album covers for bands such as The Used and In Flames. The story centers around Adam Green (playing a version of himself) preparing a documentary on a collection of artwork featuring colorful yet grotesque creatures. When he is contacted by a mysterious man played by Ray Wise (Twin Peaks, Dead End) who claims he can prove the monsters are real, Adam sets out to ascertain if the man is legit or fibbin’.

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CUBE ZERO ft. Invasion on Chestnut Ridge + Club Dread

On the cusp of Saw breaking big, Cube Zero was the final attempt at propelling this franchise about people being stuck in elaborate traps into the mainstream. Directed by Cube 2: Hypercube producer Ernie Barbarash, it is the third film in the bunch and a prequel to the original. It showcases not only the amnesiac captives navigating the ever-shifting prison but also the guards in the control room tasked with watching over the mayhem.

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SEED OF CHUCKY ft. Vampire’s Kiss + The Ruins

The pint-sized terror is back yet again to impregnate our burnt-out brains with another sequel. Seed of Chucky is the Child’s Play franchise’s open letter stating they are officially off the rails. Turning back from this is not an option.

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PATCHWORK ft. Cold Prey + V/H/S/2

Patchwork is the debut feature film by none other than Tyler MacIntyre, director of Good Boy AND the movie I was by chance thinking of watching next, Tragedy Girls.  What a coincidence! Patchwork hits all the proper notes of comedy and grossness a parody horror should hit compared to the lackluster Good Boy. I can only hope that Tragedy Girls leans more in this direction on the quality scale.

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MOM AND DAD ft. Sleepaway Camp + The Crazies

Mom and Dad took me by surprise with its speedy approach and upfront humor. Nicolas Cage (Color Out of Space, anything he can get his hands on) and Selma Blair (Hellboy, The Sweetest Thing) star as typical heads of the household who get swept up in a whirlwind of mass hysteria that causes parents to stop at nothing to eliminate their offspring. Written and directed by Brian Taylor, the creator of the Crank movies, so you know you’re in for a wild ride!

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GOOD BOY ft. The Forest + Final Destination 5

I believe this is my first foray into Into the Dark on Hulu, the Blumhouse conception aimed to please those who run out to see any half-assed horror flick in theaters by producing these bite-sized, holiday themed options that are available right at home. I second-guess myself because there are so many now that it’s hard to keep track of what I may have turned on one random night before passing out in my Beefaroni. Into the Dark classifies itself as a TV anthology series, but I hate to break it to ya: when your “episodes” are all feature-lengths (80mins or above), are self-contained with completely different casts, and there are monthly gaps between releases, then they are movies not shows.

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BONE TOMAHAWK ft. Killer Klowns from Outer Space + Spectral

Bone Tomahawk harkens back to times when men had nothing better to do than go out in a blaze of glory. An age where someone would get shot down in the middle of the saloon and everyone would go about their business. An era where one minute you are practicing exquisite etiquette and the next you are showing the savages the dangerous end of your repeater, only to die a hero.

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SATANIC PANIC ft. Jigsaw + Lords of Chaos

Satanic Panic initially had me believing it and We Summon the Darkness were one and the same. I must have heard about the latter being in production and then saw the former’s poster because it looked like Alexandra Daddario on it, but is in fact newcomer Hayley Griffith. Satanic Panic opens up with an innocent enough but low-tier atmosphere. However, after getting over the initial hump, this flick picks up the pace.

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THE BLAIR THUMB ft. Chopping Mall + You Might Be the Killer

The “Thumb Parodies” are somewhat of a curious personal legend. All the way back in 2008, when I first joined Netflix, the series caught my eye and I added the short films to my queue. Ever since then, they have been there waiting, watching me as I added more and more movies in front of them on my list. Well, today they are ignored no longer. I have finally rented The Blair Thumb.

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AN AMERICAN WEREWOLF IN LONDON ft. Doom + The Gate

John Landis’ (Animal House, Coming to America) passion project An American Werewolf in London is a comedy/horror hybrid known for its graphic, drawn out werewolf transformation scene. It also is known for shooting practical effects artist Rick Baker into stardom. In fact, Baker won the first ever Oscar for Best Makeup with his contribution to the film. Those things aside, I was a little let down with the overall package.

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