Patty Jenkins’s (Wonder Woman) directorial debut Monster is a dramatization of the crimes committed by serial killer Aileen Wuornos, a prostitute who gunned down more than a few of her johns 30 years ago in Florida. It released in 2003 with Charlize Theron (Mad Max: Fury Road, Bombshell) winning a slew of Best Actress awards for her portrayal of Wuornos. The film beats out Bone Tomahawk for the least-horror choice this MASSACRE MARATHON so far, which isn’t surprising to me since I knew she killed with guns (as opposed to more traditional slasher weapons) going in. Still, I thought the movie might have been more thrilling.
Satanic Panic initially had me believing it and We Summon the Darkness were one and the same. I must have heard about the latter being in production and then saw the former’s poster because it looked like Alexandra Daddario on it, but is in fact newcomer Hayley Griffith. Satanic Panic opens up with an innocent enough but low-tier atmosphere. However, after getting over the initial hump, this flick picks up the pace.
Not the way I wanted to kick off my favorite season of the year. Despite the low expectations of a quarantined October, The Prodigy made me feel even worse. Alas, I am excited to be released from my chains yet again to bring you horror movie madness all month long with 2020’s incarnation of the MASSACRE MARATHON!!!
The past two years I’ve held onto my marathon results, waiting for the perfect time to unleash my opinions into the putrid air of this hellscape we call home. Well, I no longer prolong…err…! Each night I will be bringing forth, in addition to the main feature, not one but TWO bonus reviews from the not so distant past. These extra musings will most likely only be snippets due to time constraints, but in the future I plan on giving the love and attention deserved to those films that are lucky enough to be rewatched.
Nicholas Winding Refn (Drive [high up on my favorites list], [the abysmal] Only God Forgives) and Cliff Martinez (ditto) have teamed up once again to bring forth a new movie featuring beautiful scenery, subtle themes, mesmerizing music, and, of course, actors taking long pauses to gaze into their colleague’s eyes before delivering their lines. The Neon Demon puts a magnifying glass up against the ROTTEN underbelly of the L.A. fashion industry and the obsessed models attempting to claw their way to the top. Elle Fanning’s (Super 8) sixteen-year-old new-in-town model Jesse starts off sweet and innocent but soon starts blossoming into something she can’t take back, leaving her to question how far she will go and if it is all really worth it. Continue reading