Under the Skin was released in 2014 to critic’s (and anyone looking for nudes of Scarlett Johansson) delight. I knew this movie was going to be in the arthouse category, but I didn’t think it would be drenched this heavily in pretension or bare of dialogue. Johansson plays an alien fresh off the ship and ready to steal some SKIN. She and her motorcycle riding colleague travel the Scottish countryside looking to lure unsuspecting humans into their skin-pilfering plot. Continue reading →
Going into Mr. Jones I was ready for the worst. Netflix predicted I would give it two stars and for someone like me to give a horror movie that bad of a rating surely meant the public reviews averaged out to be less than two stars. On the surface it looked like one of those movies where the budget is tiny and the story would be lacking. I anticipated a slow, boring trod through the woods with a 2-man cast and a bunch of creepy stick-scarecrows. Nothing scary or supernatural would happen and the ending would reveal the characters jumping at their own shadows, effectively wasting the viewers time. Basically, I prepared myself for a RIPOFF of The Blair Witch Project. Continue reading →
Welcome to MASSACRE MARATHON 2016! It seems to be a budding tradition that I must watch a comedy/horror out of New Zealand. Last year I started the celebrations with the excellent What We Do in the Shadows and tonight I kicked it all off with Housebound. I had heard pretty good things about the latter for a couple years now so I decided to test the validity of the warm reception. Jump on in folks, it’s time to party! Continue reading →
I’ve had this movie on my radar for some time now. I was going to save it for this upcoming October but I realized I tend to say that about every horror movie on my list and that turns in to me not watching the genre as much as I would like. Also, I came across a jarring gif on the internet that had me stunned. When I found out it was from The Taking of Deborah Logan the movie got bumped to the top of my list!
I wasn’t necessarily expecting a found footage film when it started, but I think I’m so numbed to the sub-genre that it didn’t phase me at all. It wasn’t a typical shaky-cam intro, however. The beginning hosted the makings of a faux documentary and served as a great set-up. A medical student is filming her thesis on Alzheimer’s Disease and its effects on not only the victim, but the family and friends in close proximity. Deborah descends into the snares of the disease at a rapid pace, almost too quickly. The film crew witnesses some inexplicable events and begins to question what is really happening with Mrs. Logan.