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THE FINAL DESTINATION

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The Final Destination is woven in a web of lies. Despite having almost an identical title as the original (a la Fast & Furious), it is not a remake, it is actually the fourth film in the series. Death did not save the best for 3D, as the poster claims, considering the three previous films were each better in every way. 3D might actually be the worst aspect of this pile of trash. Lastly, I would be hard pressed to even call this a movie, rather than a poorly strung together string of limply supported shock pieces.

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28 DAYS LATER

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Danny Boyle’s (Slumdog Millionaire, Trainspotting) 2002 British zombie horror 28 Days Later is a benchmark in the history of the genre. I remember seeing this for the first time over a decade ago. Even at a young age I noticed how it stood out from the other schlock and set the base standard for what modern zombie-themed productions (like The Walking Dead) are today. It is what I would call Boyle’s most important and impressive film to date. It was released at a pivotal point in The Manster’s life, that’s for sure. Many would consider this, along with the 2004 remake of Dawn of the Dead, to be what made The Manster who he is today!

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THE LAZARUS EFFECT

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The Lazarus Effect sticks to using predominantly one small room as its home for horror. It focuses in on a tight-knit group of scientists who are researching and performing controlled experiments involving the resuscitation of freshly deceased lifeforms. The process is comprised of injecting a specially designed serum directly into the brain of the subject with a robotic arm equipped with a large needle. The group manages to bring an animal back to life but when a wrench is thrown into the gears and their progress is obstructed they end up rushing through another experiment. This leaves a scientist mortally wounded and the survivors with moral quandaries: should they bring them back and if they do, will they ever be the same?

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CRIMSON PEAK

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Crimson Peak markets itself as a dark, brooding horror story set in a creepy old house haunted by ghosts. To my surprise, it turned out to be nothing but a romance story with little to justify itself as horror. Sure, grotesque ghosts float through the halls of Allerdale Hall, but they are only afterthoughts in this film mainly concerned with soap opera twists and pulling on heartstrings.

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A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS

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A Nightmare On Elm Street 3: Dream Warriors is about the return of a familiar villain with a routine grudge. Six years after the events of the first Nightmare dream-dwelling demon Freddy Krueger targets a group of kids in a mental health institute. They figure out that they are all being haunted by the same monster and band together to exterminate the evil. Oh, and before I forget, introducing Patricia Arquette and featuring “Larry” Fishburne. Yes, that Larry Fishburne.

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THE PURGE: ANARCHY

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Welcome to America, where one night a year all crime is legal. For 12 hours you can rape, pillage, and kill as much as you want, to anyone you want, and be absolved of all wrongdoing in the morning. But beware, a lack of active law enforcement or medical aid means you might find yourself a victim if you aren’t careful. Organized gangs are roaming the streets and they might target you if you present yourself as weak. So as long as you are cautious and know when to retreat you are guaranteed to reap the benefits of The Purge.

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STARRY EYES

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Starry Eyes is a film about a young Hollywood hopeful who is stuck at a dead-end waitress job. She is at a new casting call every week but she never gets any callbacks. What starts out as just another rejection turns out to be rewarding in a strange way. She is asked to perform in unusual ways but she agrees and gets the part. It’s only when she has the meeting with the film’s producer that she realizes there is a big catch. It turns out it takes a lot to be transformed into one of the greats.

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TUSK

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It seems like this is the year of the horror/comedy. Almost every other film so far in the MASSACRE MARATHON has been funny or goofy. Tusk is no exception. Conceived during a Kevin Smith hosted podcast as a joke, Smith decided to take it all the way and make it into a feature film. He asked his fans, through a viral voting campaign, who would actually like to see this made. It turns out many people voted #WalrusYes.

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WE ARE STILL HERE

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We Are Still Here is a 2015 film set in 1979 about a husband and wife (who I just learned is played by Barbara Crampton, the girl from Re-Animator!) who are grieving the death of their son. They move from New York to rural New England to find some peace on the countryside. They start hearing voices in their new house, thinking their son might be trying to contact them from the other side. They are very wrong.

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ZOMBEAVERS

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Yes, I’m serious. Zombeavers is exactly what it looks like. When a tank of toxic waste is released into a river the beavers get the brunt of it. Now blood hungry, the rodents find there way to a party cabin inhabited by a group of rowdy young adults. Thus, the battle of Man vs. Zombeaver begins.

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